This project involved overseeing the entire sound production for the short animation Battle Front. I was responsible for all audio elements—including Foley, sound effects, voice direction and recording, as well as editing.

As the director aimed for a realistic soundscape, I focused on bringing authenticity to elements like the knight character’s movements and physical interactions.

For the knight’s armor texture and motion, I made extensive use of Krotos Reformer. Sword friction and binding sounds were captured through Foley sessions using my own longsword replica and various kitchen utensils.

During voiceover sessions, I avoided giving rigid instructions when performances risked sounding overly dramatic or contextually detached. Instead, I guided actors gently with suggestions like “Shall we try it once more with this feeling?” to maintain their natural flow while aligning the delivery with the scene.